Dialogue is ...a conversation between two or more people as a feature of a book, play, or film.
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Sound effects is ...a sound other than speech or music made artificially for use in a play, film, or other broadcast production.
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Music In film) is ...A film score is original music written specifically to accompany a film.
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Mise en scene is ...A film score is original music written specifically to accompany a film.
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Costume is ...a set of clothes in a style typical of a particular country or historical period.
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Symbolism is ...the use of symbols to represent ideas or qualities.
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The director is ...a person who is in charge of an activity, department, or organization.
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The producer ...a person, company, or country that makes, grows, or supplies goods or commodities for sale.
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Cast members are ...A cast member is: An actor who performs in a theatrical production, movie, or television program. These actors as a group are called the cast.
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Establishing shot is ...An establishing shot might be a long shot of a room that shows all the characters from a particular scene. For example, a scene about a murder in a college lecture hall might begin with a shot that shows the entire room, including the lecturing professor and the students taking notes.
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Low angle is ...Low angle shots are often used to convey power, and depending on your subject, that power can be a good thing or a bad thing. Take this low angle shot of the Biker from Raising Arizona. He's hellbent on catching his man, and will stop at nothing to bring the Arizona baby back.
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High angle is ...A high-angle shot is a cinematic technique where the camera looks down on the subject from a high angle and the point of focus often gets "swallowed up". High-angle shots can make the subject seem vulnerable or powerless when applied with the correct mood, setting, and effects.
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Deep focus is ...Deep focus is a style or technique of cinematography and staging with great depth of field, using relatively wide-angle lenses and small lens apertures to render in sharp focus near and distant planes simultaneously. A deep-focus shot includes foreground, middle-ground, and extreme-background objects, all in focus.
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Shallow focus is ...Shallow focus is a photographic and cinematographic technique incorporating a small depth of field. In shallow focus one plane of the image is in focus while the rest is out of focus. Shallow focus is typically used to emphasize one part of the image over another.
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Voice over is ...Voice-over (also known as off-camera or off-stage commentary) is a production technique where a voice—that is not part of the narrative (non-diegetic)—is used in a radio, television production, filmmaking, theatre, or other presentations.
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Big close up is...In photography, film, and television, a standard shot size which shows a detail of a foreground subject filling the entirety of the screen. A BCU of a person would show their face from forehead to chin. ... In semiotic terms, such unusual shots are marked. See also close-up.
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Close up is … a photograph or film image taken at close range and showing the subject on a large scale.
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Mid close-up shot is ...medium close up. Medium close up shots include a character from the shoulders/chest area up to the top of the head; this shot is tighter than a medium shot, but slightly wider than a close up (as with all shots that use the human body for reference, the cutoffs between them are not strictly defined).
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Medium shot is ...A medium shot, also called a mid-shot or waist shot, is a type of camera shot in film and television that shows an actor approximately from the waist up. A medium shot is used to emphasize both the actor and their surroundings by giving them an equal presence on screen.
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Long shot is ...Long Shot (aka Wide Shot) Shows the subject from top to bottom; for a person, this would be head to toes, though not necessarily filling the frame. The character becomes more of a focus than an Extreme Long Shot, but the shot tends to still be dominated by the scenery.
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Wide shot is ...An extreme wide shot (or EWS on a shot list) is a shot that is so wide, the subject is barely visible. The point of the extreme wide shot is to show what surrounds our subjects. The EWS can be used as an establishing shot
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